[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” module_class=”column-swap” _builder_version=”3.22″ background_color=”rgba(255,255,255,0.8)” custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on”][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”Riga” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” column_structure=”1_2,1_2″][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_post_title meta=”off” featured_image=”off” admin_label=”AUTORE \/ TITOLO” _builder_version=”3.0.87″ title_all_caps=”off” background_color=”rgba(255,255,255,0)” parallax=”on” parallax_method=”off” custom_margin=”0px||0px|” custom_padding=”0px||2px|” parallax_effect=”on” module_bg_color=”rgba(255,255,255,0)” use_border_color=”off” border_color=”#ffffff” border_style=”solid” saved_tabs=”all”] [\/et_pb_post_title][et_pb_text admin_label=”PREFAZIONE\/INTRODUZIONE” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”0px|||” custom_padding=”0px|||” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_text][et_pb_divider disabled_on=”off||” admin_label=”FILETTO ROSSO 4px” _builder_version=”3.23.4″ height=”4px” hide_on_mobile=”off” saved_tabs=”all”] [\/et_pb_divider][et_pb_text disabled_on=”off|off|off” admin_label=”DESCRIZIONE” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
\u00abI\u2019ve just watched the best soviet cinema movie ever: The Story of Asya Klyachkina, Who Loved, But Did Not Marry<\/em>. The director is Andrey Konchalovsky\u00bb. Bernardo Bertolucci<\/em><\/p>\n The fascinating autobiography of one of the most influential charachters of world cinema, enhanced with a collection of unpublished photos.<\/p>\n THE BOOK:<\/strong> The decision to quit piano lessons and devote himself to the cinema; an awarded in Venice short film realized at the age of 25; the rivalry with his friend-director Tarkovsky; the success of his debut movies in international festivals; how he distanced himself from the bureaucracy of sovietic cinema and how he got to the shiny Hollywood, then his return to Gorbacev\u2019s Russia. Konchalovsky describes his life as a sequence of relations and meetings. Directors, musicians and intellectuals as Fellini, Kurosawa, Bertolucci, Ashkenazy, Kapustin, Sartre, Pasolini… Among them also captivating women, as Natassja Kinski, Rebecca de Mornay, Shirley MacLaine, Juliette Binoche: they were such determined in the spotlight as they were fragile in real life. Hilarious anectodes, spicy stories and polished reflections about the relationship between theatre, literature and cinema. The book, whose colloquial and frank writing style is combined with a collection of unpublished photos, describes in a perfect way Konchalovsky\u2019s troubled private life and his encounters with the most influencial representatives of world culture.<\/p>\n