[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” module_class=”column-swap” _builder_version=”4.16″ background_color=”rgba(255,255,255,0.8)” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ padding_mobile=”off” column_padding_mobile=”on” admin_label=”Riga” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_post_title meta=”off” featured_image=”off” admin_label=”AUTORE \/ TITOLO” _builder_version=”4.16″ title_all_caps=”off” background_color=”rgba(255,255,255,0)” parallax=”on” parallax_method=”off” custom_margin=”0px||0px|” custom_padding=”0px||2px|” parallax_effect=”on” module_bg_color=”rgba(255,255,255,0)” use_border_color=”off” border_color=”#ffffff” border_style=”solid” saved_tabs=”all” global_colors_info=”{}”][\/et_pb_post_title][et_pb_divider disabled_on=”off||” admin_label=”FILETTO ROSSO 4px” _builder_version=”4.16″ height=”4px” hide_on_mobile=”off” saved_tabs=”all” global_colors_info=”{}”][\/et_pb_divider][et_pb_text disabled_on=”off|off|off” admin_label=”DESCRIZIONE” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n
BOOK:<\/strong> Alessandrina Ravizza, Anna Kuliscioff, Fernanda Wittgens, Wilma Conti and many others: the history of Milan and Italy is told by extraordinary women in a theatre piece<\/em> that mixes voices of the present and of the past when feminism is \u00abjoy, insolence, impertinence and subversion\u00bb. From the Unification of Italy to the post-war Reconstruction, the Lombard women of this story are patriots, philanthropists, emancipation promoters, partisans, intellectuals, women of action capable of decisive achievements in politics, in the society, at work and inside the family.<\/p>\n AUTHOR:<\/strong> Magda Poli is one the most famous observers of the Italian and international contemporary drama. She wrote about it on the pages of il Giornale<\/em> from 1979 to 1986. Today she is a theatre critic writing for the newspaper Corriere della Sera<\/em>. She is the author of books: Milano in piccolo<\/em> (Rizzoli, 2007) and, together with Ferruccio Soleri, of Servitore d\u2019Arlecchino. Cinquant\u2019anni di teatro e di vita dietro la maschera<\/em>\u00a0(Rizzoli, 2011). The following plays by Magda Poli were published by Sandro Teti Publishing House: Shoah: era solo ieri<\/em>\u00a0(2011), Un mare di inchiostro per un mare di sangue. La Grande Guerra<\/em>\u00a0(2011), Napoleone<\/em> (2011).<\/p>\n [\/et_pb_text][et_pb_text disabled_on=”off|off|off” admin_label=”SCHEDA LIBRO” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”10px|20px|10px|20px” custom_css_main_element=”background-image:none;||background-color:#ffffff;||border-left: 4px solid #b21b1e;” use_border_color=”off” border_color=”#b21b1e” border_style=”solid” global_colors_info=”{}”]author: <\/em>Magda Poli [\/et_pb_text][et_pb_portfolio fullwidth=”off” posts_number=”4″ include_categories=”85″ show_categories=”off” show_pagination=”off” hover_icon=”T||divi||400″ admin_label=”Portfolio” _builder_version=”4.16″ title_text_align=”center” background_size=”initial” background_position=”top_left” background_repeat=”repeat” db_project_order=”random” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”][\/et_pb_portfolio][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" BOOK: Alessandrina Ravizza, Anna Kuliscioff, Fernanda Wittgens, Wilma Conti and many others: the history of Milan and Italy is told by extraordinary women in a theatre piece that mixes voices of the present and of the past when feminism is \u00abjoy, insolence, impertinence and subversion\u00bb. From the Unification of Italy to the post-war Reconstruction, the […]<\/p>\n","protected":false},"author":3,"featured_media":2520,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[85],"project_tag":[],"class_list":["post-4081","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-theatre-of-history"],"yoast_head":"\n
\ntitle: <\/em>Sebben che siamo donne \u2013 Le donne in Lombardia dal risorgimento alla ricostruzione<\/strong>
\npages: <\/em>60
\nprice: <\/em>8,00 \u20ac
\nISBN: <\/em>9788888249071
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.sandrotetieditore.it\/wp-content\/uploads\/COPERTINA_sebben-che-siamo-donne.jpg” show_in_lightbox=”on” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” disabled_on=”off|off|” admin_label=”COPERTINA (570×800 px @ 72 dpi)” _builder_version=”4.16″ use_border_color=”off” border_color=”#ffffff” border_style=”solid” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”][\/et_pb_image][et_pb_button button_url=”https:\/\/www.sandrotetieditore.it\/acquista\/” button_text=”Acquista” button_alignment=”center” admin_label=”ACQUISTA” _builder_version=”4.9.7″ custom_css_main_element=”min-width: 100%;||margin-top: 10px;” button_letter_spacing_hover=”0″ global_module=”855″ saved_tabs=”all” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”0″ button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_button][et_pb_image src=”https:\/\/www.sandrotetieditore.it\/collane-icons\/col-icn-il-teatro-della-storia.svg” alt=”logo collana Il teatro della storia” url=”https:\/\/www.sandrotetieditore.it\/teatro-della-storia\/” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”IL TEATRO DELLA STORIA LOGO” _builder_version=”4.16″ max_width=”120px” custom_margin=”60px|||” use_border_color=”off” border_color=”#ffffff” border_style=”solid” sticky=”off” always_center_on_mobile=”on” saved_tabs=”all” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”Riga” _builder_version=”4.9.7″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”0px|||” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” global_module=”11304″ collapsed=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\nYou may also be interested in:<\/h3>\n