{"id":3986,"date":"2013-06-06T16:34:39","date_gmt":"2013-06-06T14:34:39","guid":{"rendered":"https:\/\/www.sandrotetieditore.it\/en\/project\/faro-la-cinecitta-di-ingmar-bergman\/"},"modified":"2021-07-02T15:30:47","modified_gmt":"2021-07-02T13:30:47","slug":"faro-la-cinecitta-di-ingmar-bergman","status":"publish","type":"project","link":"https:\/\/www.sandrotetieditore.it\/en\/project\/faro-la-cinecitta-di-ingmar-bergman\/","title":{"rendered":"Various Authors – F\u00c5R\u00d6 – Bergman’s Cinecitt\u00e0"},"content":{"rendered":"

[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” module_class=”column-swap” _builder_version=”3.22″ background_color=”rgba(255,255,255,0.8)” custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on”][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”Riga” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” column_structure=”1_2,1_2″][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_post_title meta=”off” featured_image=”off” admin_label=”AUTORE \/ TITOLO” _builder_version=”3.0.87″ title_all_caps=”off” background_color=”rgba(255,255,255,0)” parallax=”on” parallax_method=”off” custom_margin=”0px||0px|” custom_padding=”0px||2px|” parallax_effect=”on” module_bg_color=”rgba(255,255,255,0)” use_border_color=”off” border_color=”#ffffff” border_style=”solid” saved_tabs=”all”][\/et_pb_post_title][et_pb_text admin_label=”PREFAZIONE\/INTRODUZIONE” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”0px|||” custom_padding=”0px|||” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]edited by\u00a0Aldo Garzia<\/strong><\/span>
\n[\/et_pb_text][et_pb_divider disabled_on=”off||” admin_label=”FILETTO ROSSO 4px” _builder_version=”3.23.4″ height=”4px” hide_on_mobile=”off” saved_tabs=”all”][\/et_pb_divider][et_pb_text disabled_on=”off|off|off” admin_label=”DESCRIZIONE” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

BOOK: <\/strong>Ingmar Bergman shot in F\u00e5r\u00f6\u00a0a lot of his masterpieces, e.g. Persona<\/em>, The Passion of Anna<\/em>, Shame<\/em>\u00a0and some fragments of Scenes from a Marriage<\/em>. On the same island he finished the\u00a0editing of Fanny and Alexander<\/em>\u00a0and The Magic Flute<\/em>. Ingmar Bergman dedicated to F\u00e5r\u00f6\u00a0two documents having the same name: Farodokument<\/em>, the first goes back to 1969, the second – to 1979. What is the mysterios connection between Bergman and his island? Why did F\u00e5r\u00f6\u00a0become a kind of Bergman’s Cinecitt\u00e0 to a point that critics wrote about the F\u00e5r\u00f6\u00a0drama<\/em>\u00a0inherent to the infinite artistic creation of the Swedish director? It is in the 1960 that Bergman arrives to F\u00e5r\u00f6\u00a0for the first time. He has to shoot Through a Glass Darkly<\/em>, the film that would give him his second Oscar, after the first he won with The Virgin Spring<\/em>. \u00abMight I speak solemnly, I would say I found in F\u00e5r\u00f6\u00a0my landscape, my true home. Should I want to be happy, I would say it was a love from the first sight\u00bb – the director writes in his autobiography entitled The Magic Lantern<\/em>. Aldo Garzia, journalist and writer, edited the book that collects the research documents related to this unedited aspect of Ingmar Bergman’s biography: the photos, Aldo Garzia’s critical and historical essay on \u201cF\u00e5r\u00f6\u00a0Drama\u201d, the interviews with the actresses Ingrid Thulin and Bibi Andersson edited by Cecilia Waldenkranz. There are also: a critical portrait of the actor Erland Josephson, essays by Rino Genovese and Gian Luigi Saraceni, summaries of Bergman’s films shot on the island of F\u00e5r\u00f6\u00a0and the comments to them written by the director himself.<\/p>\n

\u0410UTHOR:\u00a0<\/strong>Aldo Garzia is a journalist who has long worked for Manifesto<\/em>, cooperating with numerous newspapers and magazines. He is the author of many books: Cuba, a journey to the identity of the island<\/em>\u00a0(\u201cEdizioni Associate\u201d Publishing House, 1998), Fidel’s kitchen<\/em>\u00a0(\u201cDatanews\u201d, 1999), Cuba Conquering the Treasure Island<\/em>\u00a0(\u201cElleu Multimedia\u201d Publishing House, 2001). His passions are Cuba and Sweden, two countries being\u00a0 apparently opposite.<\/p>\n

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\ntitle: <\/em>F\u00c5R\u00d6: Ingmar Bergman’s Cinecitt\u00e0<\/strong>
\nedited by <\/em>Aldo Garzia
\npages: <\/em>111
\nprice: <\/em>14,00 \u20ac
\nISBN: <\/em>9788888249028
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edited by\u00a0Aldo Garzia BOOK: Ingmar Bergman shot in F\u00e5r\u00f6\u00a0a lot of his masterpieces, e.g. Persona, The Passion of Anna, Shame\u00a0and some fragments of Scenes from a Marriage. On the same island he finished the\u00a0editing of Fanny and Alexander\u00a0and The Magic Flute. Ingmar Bergman dedicated to F\u00e5r\u00f6\u00a0two documents having the same name: Farodokument, the first goes […]<\/p>\n","protected":false},"author":3,"featured_media":3015,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[83],"project_tag":[],"class_list":["post-3986","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-image"],"yoast_head":"\nAA. VV. - F\u00c5R\u00d6 \u2013 La Cinecitt\u00e0 di Ingmar Bergman | Sandro Teti Editore<\/title>\n<meta name=\"description\" content=\"AA. 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